by Italo Calvino

(b. Oct. 15, 1923, Santiago de las Vegas, Cuba--d. Sept. 19, 1985, Siena, Italy)

About Italo Calvino:

This is the entry for Italo Calvino from the online Encylopaedia Britannica.

CALVINO, ITALO

(b. Oct. 15, 1923, Santiago de las Vegas, Cuba--d. Sept. 19, 1985, Siena, Italy)

Italian journalist, short-story writer, and novelist, whose whimsical and imaginative fables made him one of the most important Italian fiction writers in the 20th century.   Calvino left Cuba for Italy in his youth. He joined the Italian Resistance during World War II and after the war settled in Turin, obtaining his degree in literature while working for the Communist periodical L'Unità and for the publishing house of Einaudi. From 1959 to 1966 he edited, with Elio Vittorini, the left-wing magazine Il Menabò di letteratura.

Two of Calvino's first fictional works were inspired by his participation in the Italian Resistance: the Neorealistic novel Il sentiero dei nidi di ragno (1947; The Path to the Nest of Spiders), which views the Resistance through the experiences of an adolescent as helpless in the midst of events as the adults around him; and the collection of stories entitled Ultimo viene il corvo (1949; Adam, One Afternoon, and Other Stories).

Calvino turned decisively to fantasy and allegory in the 1950s, producing the three fantastic tales that brought him international acclaim. The first of these fantasies, Il visconte dimezzato (1952; "The Cloven Viscount," in The Nonexistent Knight & the Cloven Viscount), is an allegorical story of a man split in two--a good half and an evil half--by a cannon shot; he becomes whole through his love for a peasant girl. The second and most highly praised fantasy, Il barone rampante (1957; The Baron in the Trees), is a whimsical tale of a 19th-century nobleman who one day decides to climb into the trees and who never sets foot on the ground again. From the trees he does, however, participate fully in the affairs of his fellow men below. The tale wittily explores the interaction and tension between reality and imagination. The third fantasy, Il cavaliere inesistente (1959; "The Nonexistent Knight," in The Nonexistent Knight & the Cloven Viscount), is a mock epic chivalric tale.

Among Calvino's later works of fantasy is Le cosmicomiche (1965; Cosmicomics), a stream-of-consciousness narrative that treats the creation and evolution of the universe. In the later novels Le città invisibili (1972; Invisible Cities), Il castello dei destini incrociati (1973; The Castle of Crossed Destinies), and Se una notte d'inverno un viaggiatore (1979; If on a Winter's Night a Traveler), Calvino uses playfully innovative structures and shifting viewpoints in order to examine the nature of chance, coincidence, and change. Una pietra sopra: Discorsi di letteratura e società (1980; The Uses of Literature) is a collection of essays he wrote for Il Menabò.

About the book:

Italian edition (original title: Le città invisibili) &copy1972, Giulio Einaudi editore s.p.a., Torino.  English edition translated by William Weaver &copy1974 by Harcourt Brace Jovanovich, Inc.

"Calvino's seventh novel (or work or meditation or poem), Invisible Cities, is perhaps his most beautiful work. In a garden sit the aged Kublai Khan and the young Marco Polo -- Tartar emperor and Venetian traveler. The mood is sunset. Prospero is holding up for the last time his magic wand: Kublai Khan has sensed the end of his empire, of his cities, of himself.  "Marco Polo, however, diverts the emperor with tales of cities that he has seen within the empire and Kublai Khan listens, searches for a pattern in Marco Polo's Cities and memory, Cities and desire, Cities and signs, Thin Cities, Trading Cities, Cities and eyes, Cities and names, Cities and the dead, Cities and the sky, Continuous Cities, hidden Cities. The emperor soon determines that each of these fantastic places is really the same place...  "Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant."

Traveling, you realize that differences are lost: each city takes to resembling all cities, places exchange their form, order, distances, a shapeless dust cloud invades the continents.

If men and women begin to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.